Her first six books center on the Dublin Murder Squad-but defying convention-each book is narrated by a different member of the squad-so a supporting player in Book 1 might be the narrator of book 4.
She’s reigns over Irish crime fiction-but she pushes the genre with descriptive language in novels that are character-driven and densely atmospheric. Jo Reed: People who think the term ‘Genre Writer” is reductive often use Tana French as an example. A great play or symphony or painting or book gives us a glimpse into what it’s like to experience the world through someone else’s eyes and that’s a huge transformative vitally important thing that feeds into empathy and all the things that make us human and I think that cuts to the heart of what we do, both as writers and as readers It has different realities, equally valid from different points of view and to me, this kind of cuts to the heart of what the arts are for.
Tana French: There isn’t one objective truth about what the murder squad is like or what the friendship between Rob and Cassie is like.
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